THERE ARENT MANY SPACES IN THE CITY TO SHOW AND SHARE AMAZING ART.


Why does it seem that Toronto, at an institutional level, often keeps its doors closed to independent artists? This statement may appear bold to those within these institutions, however few compelling ones there may be. Visual and experiential art is highly subjective, demanding careful consumption and thoughtful reflection.


One could argue that there isn't enough effort dedicated to articulating this viewpoint. Alternatively, it might be suggested that galleries entrusted with the task of intrigue audiences are failing to embrace a modern narrative a younger voice.




Francisco Corban Oct 12, 2023



We aim to provide a platform for small artists, curators, and directors to showcase work that resonates deeply within their communities. The act of consumption is pivotal here.

Luke Vanny utilizes airbrush tools to depict elements commonly found in a garden. What captivates is not merely the subject matter, but the precision with which he renders each image. Airbrushing imbues his creations with a soft, ethereal quality—an art form deserving of more recognition in major galleries.

Context holds equal weight to content, yet there are moments when the latter takes precedence. Take Kellen Hatanaka, for instance. His vibrant primary color palette and dynamic brushwork aren't just youthful; they stem from a deeply personal source of inspiration—his two children. His exaggerated figures and familiar family scenes, like shared meals around a dinner table, evoke a profound sense of family dynamics—a context that enriches the viewing experience.

Interpreting art is a joyful endeavor. Kellen leaves deliberate clues and "Easter eggs" in his work that come to life in conversation with him. These insights often unveil new layers of meaning, transforming how one perceives his art after understanding the artist's daily life.